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Swords and Sorcery - Overture
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Intro theme to the ridiculous fantasy fan film 'The Dagger of Deliverance'
piano jazz classical instrumental new age synthpop synth heavy metal soundtrack film music score medieval synthwave cinematic music neocassical
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Cinematic Music Production
Freelance composer for all kinds of cinematic music. Contact: dustin.naegel@gmail.com Credits Film Music: The Trial of Darth Sins type: short film; genre: action adventure/martial arts; production: Christopher Nemetz, 2021. Celina type: short film; genre: drama/adventure; production: Michael Kleinfeld, 2017. www.youtube.com/watch?v=YUD0gbj-RXc Sarah" type: short film; genre: horror thriller; production: Kai Wirblat, Michael Kleinfeld, 2016. www.youtube.com/watch?v=CVx9Q85qQ40&t=3s Getuermt (en: "Escaped!") type: short film; genre: action; production: Oliver Weisskopf, Michael Kleinfeld, 2014. www.youtube.com/watch?v=NcnEBL4Tk7w Drogendeal mit Vertretung: type: short film, genre: crime; production: Oliver Weisskopf, Michael Kleinfeld, 2015. The Dagger of Deliverance: type: fan film; genre: fantasy/adventure; production: Philipp Weimann, 20052006 (unreleased). Game Soundtracks: Miguel Detektiv auf leisen Pfoten (en: Miguel - Feline Investigator) genre: point-and-click adventure; development: Thomas Oelkers, 2017. Das Geheimnis des Hyperaffen (en: Apepocalypse) genre: point-and-click adventure; development: Borstoworx, 2010. Dark Crypt genre: dungeon crawler; development: Thomas Oelkers, 2008. Affenkrach am Giraffenbach genre: jump-and-run; development: Andreas Mettler, 2007. Codename: Stinkon" genre: point-and-click adventure; development: Borstoworx, 2005. Ultima IX: Redemption genre: role-playing game; development: Florian Kasper, 20052016 (unreleased).
Song Info
Genre
Beats Beats General
Charts
Peak #14
Peak in subgenre #9
Author
Dustin Naegel
Rights
2007
Uploaded
August 14, 2007
Track Files
MP3
MP3 2.2 MB 128 kbps 2:27
Story behind the song
Intro theme to the ridiculous 'The Dagger of Deliverance' fantasy movie. Lead and rhythm guitar parts are live recorded, while the orchestral instruments are completely synthesized. The piece is classically structured into four parts, almost like a rondo: First of all A (the main theme), B (something like an interlude), C (theme reprise + transposition) and finally D; a second, more romantic theme in a major key.
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